When it came to adapting her bestselling collection Worn Stories for a TV show, Emily Spivack had a mighty task and a powerful vision.
Worn Stories illustrates the deep emotional connections humans form with pieces of clothing — whether through a sense of community, nostalgia, confidence, or more. In the book, these stories come with a simple photo, but for the Netflix version, “I wanted to really amp it up,” Spivack tells Mashable. She knew she wanted animation, a mix of archival and original imagery, different mediums, and different artists. So how the heck did she pull it off?
She asked.
It seems more than obvious, but in a time when Hollywood repeatedly reckons with poor representation as a result of untapped markets, Spivack’s audacity to exhaust research and resources is tremendous. An artist herself, she tapped into her network of friends and friends-of-friends while the show’s producers and directors did the same. In some cases she would reach out to someone whose work caught her eye on social media. Read more...
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